Memories Don’t Lie by Pauline Yates – Launches 11th March 2023
I was a compulsive daydreamer growing up, and I turned that into a writing career. What could be better than doing the thing you love most?
I was a compulsive daydreamer growing up, and I turned that into a writing career. What could be better than doing the thing you love most?
The world knows so little about the Outback that it seems logical that you can throw monsters and creatures there, and they can go undiscovered for the pathetic amount of time Europeans have lived here. The Indigenous Peoples knew about many creatures, but they are dismissed. But…what if…?
I started writing technology textbooks nearly twenty years ago, almost by accident. I asked a friend of mine to edit a small article on SATA hard drives I was writing for a Linux tutorial website, and he ended up recommending me to a publisher who needed a chapter written for a networking guide. After that, everything just mushroomed and now I’m a professional technical writer.
Tenacity is just as important as talent. It is very easy to want to give up and lose faith in your work, particularly after rejection. But experiencing rejection and dealing with self-criticism are part of earning your stripes as an author, and I’m definitely a stronger writer for it.
Anything can inspire me. Movies, series, or a well composed soundtrack. Music in general. It can even be a single word I like, or a sentence. Sometimes it’s a sensation I want to recreate and build a story around. It’s rarely the same.
Filmmaking has always been my first love. But I love to write in any format, and short stories are just easier to bring into the world than films are (not to mention cheaper), so I end up putting out a lot more prose than I do short films.
What does literary success look like to you? Holding a book with your name on it. Everyone’s definition of success is different, but if you’re only writing with the aim of getting rich and famous, you’re likely to be disappointed.
Literary success, to me, would mean scoring serious novel contracts with major publishers—mainstream circulation in the higher five figures and upward, with international reach, including foreign language editions and screen rights sales. This definitely calls for agency representation, and I’m hoping my track record, built up since 2016 in the short story market, will open that particular door. I’ve dabbled in screenwriting for the last twenty years, too, and a cross-pollination of success between fields is always possible.
If you could tell your younger writing self anything, what would it be? FINISH IT. Don’t give up, don’t stop creating. And stay away from so much beer.